The Group Theatre & How it Transformed American Culture
Co-curated by Ronald Rand & Mel Gordon
Featuring Ellen Adler, Laila Robins, Wendy Smith, John Strasberg, Fritz Weaver (and others)
Monday, June 4, 2012
Martin E. Segal Theatre Center in Elebash Hall, The Graduate Center, CUNY, 365 Fifth Avenue
event site

The Group Theatre, Brookfield Center, summer 1931. Crop of image by Ralph Steiner.

We assemble in the lovely Elebash Hall of the CUNY Graduate Center this cool June Monday to celebrate, analyze, synthesize, rhapsodize about, and contend with the art and the legacy of the individuals who came together out of hope and vision and the need to make a new kind of American theatre. As one commentator says: this was “the last time the avant garde merged with Broadway theatre.” We have come together to parse that statement and celebrate the 75th anniversary of the founding of the Group Theatre. What a day it is.

The celebration events have been planned by experts on the people and legacies of the Group Theatre. Ronald Rand writes and shares the legacy of Harold Clurman and his colleagues and was a student of several of the Group members. Mel Gordon writes and teaches about Stanislasky, the Group members, cinema, and related topics. Wendy Smith, another expert who has written on the Group and several of the Group personalities is present throughout the festivities and takes an active role in the final panel of the day. Consistent with the Group members themselves who created theatre, acted and directed productions, and became teachers — the experts are themselves teachers. This is not a static kind of knowledge. It lives and breathes and begs to be shared and debated and passed along.

Read more: click here

© Martha Wade Steketee (June 9, 2012)

Original posting on Steketee’s blog Urban Excavations at urbanexcavations.com.

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