Young Playwrights Inc. Urban Retreat 2012
July 14-22, 2012
New York, New  York

19 July 2012. Elizabeth Bojsza takes Urban Retreat participants through some of the characteristics, functions, and roles of dramaturgy. Image by Martha Wade Steketee.

A few years in a new city have already inspired for me repeat viewings of newly discovered events and productions and places and people. We return when we feel inspired, we return when we feel welcomed, we return when we feel that we’re of service.  And after two years in New York City, inspired by my established love for working with young people finding their voice in theatre (ah yes, the Goodman-AWJ Young Critics Circle program, let us replicate you), I return again and again to the delightful, delicious, enthralling and supportive Manhattan-based Young Playwrights program.  As reader of submitted scripts for their various competitions, as dramaturg for the annual conference of playgoing and readings for the winners, as dramaturg for their week-long summer program for young writers called “Urban Retreat”  – I’ll do anything for them. They’re that good.

This week we are deeply ensconced in  the 2012 edition of the Young Playwrights Urban Retreat and it is a wash of activity and a wonder to behold.  I have the privilege of speaking to the current group of 15 or so participants during, as the program materials describe it, one of the  ”luncheon roundtable discussions related to the craft and business of playwriting.” I talk about my experiences as a dramaturg (reading scripts, working on productions, writing reviews, working with playwrights) and am terribly impressed by the energy and enthusiasm and intelligence of these young people.

Read more: click here

© Martha Wade Steketee (July 22, 2012)

Original posting on Steketee’s blog Urban Excavations at urbanexcavations.com.

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